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Trailer: UPGRADE (2018) – Official Red Band Film Trailer [HD]
GENRE: Action, Thriller, Science Fiction
SYNOPSIS: A brutal mugging leaves Grey Trace paralyzed in the hospital and his beloved wife dead. A billionaire inventor soon offers Trace a cure — an artificial intelligence implant called STEM that will enhance his body. Now able to walk, Grey finds that he also has superhuman strength and agility — skills he uses to seek revenge against the thugs who destroyed his life.
CAST: Logan Marshall-Green, Betty Gabriel, Harrison Gilbertson, Simon Maiden, Benedict Hardie, Melanie Vallejo, Linda Cropper, Sachin Joab, Steve Danielsen, Michael M. Foster, Clayton Jacobson, Richard Cawthorne, Renah Gallagher, Christopher Kirby, Rosco Campbell, Richard Anastasios, Douglas Embry, Liam Howarth
PRODUCTION: Goalpost Pictures, OTL Releasing, Blumhouse Productions, Automatik Entertainment, Nervous Tick, Film Victoria
TERMINATOR GENISYS 2015 Full Movie Online Free Watch
SYNOPSIS: The year is 2029. John Connor, leader of the resistance continues the war against the machines. At the Los Angeles offensive, John`s fears of the unknown future begin to emerge when TECOM spies reveal a new plot by SkyNet that will attack him from both fronts; past and future, and will ultimately change warfare forever.
The Terminator franchise started with a low-budget thriller film that introduced a very interesting and compelling story about a woman who is a target of a ruthless man from the future that turns up to be a cyborg. It was a simple yet good story and a good piece of science fiction. Why was it a good film? Well, for starters, the bad guy, i.e the terminator, according to Kyle Reese, doesn`t feel pain or pity, can`t be reasoned with, can`t be bargained with. It was the perfect killer, and almost invincible. So there you got all the elements of a good story. Then came Terminator 2: Judgement day. Here things start to get weird with the new T-1000, because it was the result of CGI of that time. The whys and hows of the T-1000 were cleverly hidden away and never discussed. The story was good: here Sarah Connor wants to change history and the new terminator ends up showing a window of opportunity. T3 came along and stuff started to crumble. T3 makes no sense. A seemingly old terminator that goes back because a "more advanced" (and absurd) terminator came to yet again kill John Connor. They used preposterous ideas justified by the fact that it is a "fiction" film (i.e the stuff about controlling automobiles with a "virus": cars don`t work like that). Well, even fiction must be based on some rules, and T3 simply disregards these rules, and that is what makes it so bad. Salvation came and it was good. Honestly, I don`t see why people freak out about Salvation, because it was consistent, it makes actual sense. It looks like a war zone between our present and that future we see in the first films. There are no crazy liquid-metal things this time, only "normal" cyborgs and there were very nice references to the first two films. I have no idea why people hate it. It is not a thriller, but action, but then T3 isn`t a thriller either, nor is T2, so that is a very bad reason to hate TS. And now came Genisys, with the typo in the name. The film starts with a disturbing change: the judgment day occurred, apparently, in 1997. It means that the whole second film was thrown in the rubbish bin. Sarah`s efforts were pointless, apparently Skynet wasn`t destroyed after all. But maybe I was confused, so I`ll just ignore this and move on. The film introduces an interesting idea: since the future already changed before, Skynet was aware of John`s plan to send Kyle Reese and attacks him (John) before he tears the time machine apart, altering the whole story. But this leads to a series of confusing events that end up having a terminator sent to kill Sarah when she was 9 and another to protect her. Then the "good" terminator ends up "raising" Sarah to have the face of Emilia Clarke instead of Linda Hamilton and both prepare for the arrival of a disturbingly different Kyle Reese in 1984. Then appears the original terminator, apparently unaware it was not the first assigned to kill Sarah, and a T-1000 was apparently sent to kill Kyle (it is never explained who was the target). Then instead of waiting for the right time, Emilia Clarke decides to build a time machine and go to 1997 stop Skynet. But Kyle, as explained by some pseudo-science theory, has memories of an alternate childhood (go figure), and knows Skynet goes berserk in 2017. So they go to 2017 and find out that there is this software which is a mixture of Apple, Google and Facebook called Genisys that for no reason is being used on mobiles, hospitals, and even the army and is going to be "available" at precisely the time of judgment day, even though it is already being used. John Connor shows up in 2017 looking like Jason Clarke, and we assume he was cast because he shares the same surname with Emilia, and he is a cyborg because Skynet itself was contained inside a cyborg and it managed to replace every cell in John Connor for nano-technology. He wants to turn his parents into machines and he inexplicably not only defends Skynet, but he created Genisys himself. So John Connor is the bad guy! And he is a terminator who created Skynet! Schwarzenegger tries to kill him, but Sarah points a gun to his... head, and.. it makes no sense. They then invade this company that developed Genisys and end up stumbling on the same computer interface used in Resident Evil: Skynet for some reason has several projectors in the place with the hologram of a child that tries to convince the heroes that they are doomed and you wonder why Skynet wastes time talking to them if it really thinks that, but the holograms make funny noises when they cross the light and you give up trying to understand. In the end Schwarzenegger kills Jason Clarke by getting into this unfinished time-machine with a giant magnet, while Kyle and Sarah explode the building, but in the last second Schwarzenegger falls into the metal goo that would be the T-1000s and even though a T-1000 cannot emulate complex machinery because it has moving parts and all that (check T2), he inexplicably blends just fine with the goo and becomes "updated". Oh, that trick is used before too. So even though stuff exploded, the terminator "survives". So the film ends leaving a feeling of "what the hell I just saw", and I wonder why people find this any better than T3 and why Terminator Salvation is considered worse. It is beyond me. Really people, something is wrong here. So if you like Terminator, go see it. If you liked Salvation, I`m so sorry, but it didn`t turn into a trilogy and they just "terminated" a good project.
CAST: Arnold Schwarzenegger, Jason Clarke, Emilia Clarke, Jai Courtney, J.K. Simmons, Dayo Okeniyi, Matt Smith, Courtney B. Vance, Lee Byung-hun, Michael Gladis, Sandrine Holt, Wayne Bastrup, Gregory Alan Williams, Otto Sanchez, Matty Ferraro, Griff Furst, Aaron V. Williamson, Seth Meriwether, Afemo Omilami, Teri Wyble, Kerry Cahill, Mark Adam, Kerry O`Malley, Willa Taylor, James Moses Black, Terry Dale Parks, Douglas Smith, Anthony Michael Frederick, Brandon Stacy, Brett Azar, Douglas M. Griffin, Ernest Wells, Bryant Prince, Ross P. Cook, Christopher Heskey, Joshua Mikel, Thomas Francis Murphy, Tony Donno
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PRODUCTION: Village Roadshow Pictures, Groucho II Film Partnership, Silver Pictures, Warner Bros. Pictures
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The Wachowski Brothers vision of a possible future takes the visual and sound aspects of filmmaking to a new high. Incorporating older still photography with computer enhancement to the degree that appears on the screen has raised the genre to a level that will be very hard-pressed by filmmakers for a number of years. Acting was wonderful, script, visual, sound, everything about this film is a tribute to a usually overlooked genre.
SYNOPSIS: Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.
GENRE: Action, Science Fiction
CAST: Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Joe Pantoliano, Gloria Foster, Marcus Chong, Paul Goddard, Robert Taylor, Julian Arahanga, Belinda McClory, Anthony Ray Parker, Matt Doran, Ada Nicodemou, David Aston, Marc Aden Gray, Deni Gordon, Rowan Witt, Eleanor Witt, Tamara Brown, Janaya Pender, Adryn White, Natalie Tjen, Bill Young, David O`Connor, Jeremy Ball, Fiona Johnson, Harry Lawrence, Steve Dodd, Luke Quinton, Lawrence Woodward, Michael Butcher, Bernard Ledger, Robert Simper, Chris Pattinson, Nigel Harbach
PRODUCTION: Torridon Films, 16:14 Entertainment, Scott Free Productions, Columbia Pictures, Alcon Entertainment, Thunderbird Entertainment, Warner Bros. Pictures
CAST: Ryan Gosling, Harrison Ford, Ana de Armas, Robin Wright, Sylvia Hoeks, Mackenzie Davis, Jared Leto, Carla Juri, Lennie James, Dave Bautista, David Dastmalchian, Barkhad Abdi, Hiam Abbass, Wood Harris, Edward James Olmos, Tómas Lemarquis, Sallie Harmsen, Sean Young, Loren Peta, Mark Arnold, Krista Kosonen, Elarica Johnson, Kingston Taylor, David Benson, Ben Thompson, Suzie Kennedy, Stephen Triffitt, Ellie Wright, Vilma Szécsi, Kincsö Sánta, André Lukács Molnár, István Göz, Pál Nyári, Joshua Tersoo Allagh, Zoltán Béres, Konstantin Pál, Ferenc Györgyi, Samuel Brown
Not only it went against the prequel`s story, but also it left the door open for another film. Nothing happens in this after all. All they did is take our money, put us to sleep very likely and tell us to come back and give them more money for the inevitable sequel/franchise/universe/vomit. Here are things hinted at but not resolved: dystopia, army, child birth, successor, corporate corruption and of course lovers` relationship. Don`t give it your money. Three stars for the girlfriend`s eyes, hair, thighs and home cooking.
SYNOPSIS: Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what`s left of society into chaos. K`s discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
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SYNOPSIS: Interstellar chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.
Trailer: Interstellar Movie - Official Trailer 3 [HD]
CAST: Matthew McConaughey, Jessica Chastain, Anne Hathaway, Michael Caine, Casey Affleck, Mackenzie Foy, Timothée Chalamet, Bill Irwin, Matt Damon, Ellen Burstyn, John Lithgow, Wes Bentley, Topher Grace, David Oyelowo, David Gyasi, William Devane, Josh Stewart, Collette Wolfe, Leah Cairns, Russ Fega, Lena Georgas, Jeff Hephner, Elyes Gabel, Brooke Smith, Liam Dickinson, Francis X. McCarthy, Andrew Borba, Flora Nolan, William Patrick Brown, Cici Leah Campbell, Kristian Van der Heyden, Mark Casimir Dyniewicz, Joseph Oliveira, Ryan Irving, Alexander Michael Helisek, Benjamin Hardy, Griffen Fraser
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`Interstellar` takes off by constituting its soaring ambitions right at the very first few sequences of the film: humanity is struggling to survive in a barely habitable Earth, already at the brink of total destruction. Earth and its resources is down to its last few moments, but when a wormhole, a medium that enables space time-travel beyond known limits, is discovered, scientists and ordinary men gather together, to begin an exploration that would take time-traveling through different worlds, in man`s desperate search for humanity`s place among the stars. To fully understand `Interstellar`, its premise and its accuracy, may require repetitive thinking, research, and a certain level of intellect—perhaps the same level Nolan asked in `Inception`. But the film does not necessarily ask its audience to right away fully understand it, instead it begs you to feel it, to experience its dilemmas and tragedies and go through the same threads of emotion tangled up within the web of humanity`s last possible moments, and the relationship between a widowed father and his children already leaning toward an anticipated end. Nolan`s made sure that even the film`s ideas are too far-fetched and may seem resting on towering intellectual grounds, it would nonetheless connect to its audience by delivering its message through emotionally-charged tales of human relationships, tangible enough to be felt and experienced. At its core, is retired NASA engineer, Cooper (McConaughey) and his relationship with his children—most strikingly with his daughter, Murph. Cooper`s emotional journey—the decision he has to make whether to leave his family behind or join the quest to search for a new habitable planet—alone, serves as an effective vessel to transport the audience from Earth, right from the moment the spacecract `Endurance` takes off from the ground, to the unknown limits of the cosmos. McConaughey delivers a stunning and highly-commendable performance, and while I can`t say its his best, as I`ve managed to have seen only a few of his movies, I can certainly say it`s one of the best I`ve seen from any actor, so far, and he may be owing that to Nolan`s impeccable direction. McConaughey`s incredibly brilliant portrayal of a loving father places him at the center of the story. There are plenty of nail-biting sequences here depicting his devastation after the choices he needed to make and still has to take, and in each one, he never fails to effectively convey whatever emotion the sequence requires him to deliver. Nolan`s mastery of his craft screams in deafening volumes through his unblemished capacity to explore and raise the layers of the film`s characters and put their stories in right places and in valid highlights within the film, and that works best with the help of brilliant musical score orchestrated by the equally impeccable Hans Zimmer. Added with breath-taking cinematography and spectacular visual effects, together, these elements, make `Interstellar` capable of weaving a human story powerful enough to intrude through our delicate emotional senses, delve into our humanity and still go beyond that. Nolan`s managed to tread through the film`s seemingly absurd scope and ambitions without losing focus on the one powerful element that seems to keep the film`s aspects bonded together: LOVE. As chiché as it may sound, that may be the only thing that is right away understood and easily felt in the movie. There are a lot of questions raised, and each one poses another, but none of which really requires immediate answer, and by not losing grasp of the mystery of love, and the power it can deliver to make human connections tighter and even closer amidst the ever widening physical distance between the characters in the film, Nolan comes out victorious in making the audience feel and understand `Interstellar` and have its questions answered, in a way that doesn`t necessarily oblige us to just think, but also to make our emotions work as well, so we can have the experience the film wants us to go through. Sure, it can`t be perfect, I myself noticed that it lacks focus with its narrative (this either because I find it hard to solve Nolan`s puzzle-like construction of the story—LOL—or the narrative` s really not just that good. If you have seen Memento and Inception, the construction here is somehow similar as those two) and some respected critics even argue this one can`t be Nolan`s best, and I haven`t seen all his works yet, either, but for me, it really isn`t that hard to put this on the list of the best sci-fi movies I`ve seen so far. Nolan has put up together a perfect ensemble of outstanding actors, whose powerful performances, IMO, are enough to cover the flaws. Not a single bit of every actor`s potential is put into waste, here; everyone has a star to shine in this universe Nolan created. Hans Zimmer`s music seems to never go out of sync, in fact it almost always goes in harmony with the dramatic highlights of the film. Visual effects is never less than top-notch; the imagery presented in this film is utterly jaw-dropping, so expect to have your breath being repeatedly taken away by the frequent outburst of colors effectively employed to establish distinctions between the dimensions. All those elements are satisfyingly sufficient to create the deciding impulse needed to bring the movie to where it aims to arrive. `Interstellar` is a thought-provoking and mind-enriching motion picture, a grand and brilliantly depicted visual spectacle not bereft of human emotions, one of the best of its genre in a very long time. If this movie gets proclaimed as a classic in the coming decades, that definitely isn`t going to come out as a surprise. This Christopher Nolan film deserves my 10 stars. :)
